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Ebers’ Pictureseque Egypt, translated by Clara Bell, and measuring approx. 290x370mm (44.5 x 14.5 inches), is a huge two-volume collection of engravings and text. Copies of the plates are often sold on eBay, which is sad because it often means a bookseller has ripped apart a copy of the book.
This is volume two; the previous gallery is for volume one.
There is also an entry in the Nuttall Encyclopædia for George Moritz Ebers.
Title: Pictureseque Egypt Vol II
Published by: Cassell & Company, Limited
City: London
Date: 1878
Total items: 11
Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.
“I must mention, as one of the ex-Kedive’s best actions, the abolition of the slave trade, which was flourishing in Egypt only a short time since. Very few years have gone by since I myself was one of those who saw the court of an okella well supplied with the human commodity. I am only too glad to leave it to the artist to give a picture of the tragical scene, of which he was a spectator even before I myself was. At the present time [1870s] this scandalous trade can only be carried on in the profoundest secrecy, and the judges are bound to restore every male or female slave to liberty who claims the right. It is true that many of these poor wretches do not avail themselves of their rights, nor can it be denied that the lot of a slave under the influence of Mohammedanism may be regarded as comparatively an easy one. Any one who knows how completely the institution of slavery had grown to be part and parcel of Eastern life and customs will not refuse the due meed of praise to the man who seriously set to work to oppose it.” (pp. 35, 36).
The picture shows a courtyard full of people, many barefoot and some wearing only a loin-cloth. A plump and well-dressed man with a walking stick is accompanied by a barefooted youth leading a donkey or small horse on which sits a veiled lady. A group of bearded men with headdresses, cloaks and bare feet sit on the ground smoking long pipes. On the right a woman nurses a baby by a steaming pot. In the centre a youth wearing only shorts or a loin-cloth is being inspected; perhaps he is for sale. In the far background, however, at the right, a person, I think a man, his chest partly exposed, stands [more...] [$]
An ornate floral typographic border for a chapter heading. Such borders were usually made from lots of separate pieces of metal type, so that you could make the border any width by adding or removing more pieces.
I have left the unusual heading since it seems quite fun; note also the lack of kerning between the V and the following A; in the days of metal type, kerning a heading here meant taking a metal cutting file to the pieces of type and cutting [more...] [$]
A foliated (floriated) initial letter D used as a decorative 8-line drop cap at the start of a chapter. [$]
We have seen how deplorable was the condition of the country [1790s Egypt] at that time, drained by the greed of the Turkish Pacha and the Mameluke Beys; its [...] doubled, was reduced to two and a half millions of souls. [...] But the stormy attacks of the swift and splendid Mameluke cavalry were of no avail against the strategic genius of the Corsican and the solid strength of the French battalions. (p. 2) [more...] [$]
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