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Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal and Popular Antiquities, Charles Knight (1791 – 1873) London, Charles Knight and Co., Ludgate Street, First Edition, 1845, two volumes, folio, pp. viii, 392; vi, 386, 24 chromoxylographs (incl. frontis.). Many wood-engraved text illustrations.
My copy has contemporary (worn) half-calf with gilt backs; there is some light foxing and dampstaining to the plates and margins of some leaves. Ref. Abbey, Life, 43; purchased D. & E Lake Toronto, 1992.
This book has been reprinted, but the reprint is out of print; you can search for a used copy on Amazon.
I have typed in the index to the book so that you can ask me for other scans if you like.
I have the first few sections online as Old England: A Pictorial Museum if you want to read the actual book!
The book starts with Druidical and Prehistoric remains and continues on to have Castles, Manors and stately homes, Churches, Abbeys and Cathedrals and much more.
Charles Knight also produced an illustrated edition of the Works of Shakspere, as he spelt it.
There is an entry in the Nuttall Encyclopædia for Charles Knight.
Some of the engravings were done by the Dalziel brothers; I have some images from their autobiography, A Record of Work.
Contents
Volume I
Book I. Before the Conquest.
Chapter I. The British Period. [Fig. 1]
Chapter II. The Roman Period. [Fig. 80]
Chapter III. The Anglo-Saxon Period. [Fig. 189]
Book II. The Period From the Norman Conquest to the Death of King John. A.D. 1066—1216.
Chapter I. Regal and Baronial Antiquities. [Fig. 334]
Chapter II. Ecclesiastical Antiquities. [Fig. 491]
Chapter III. Popular Antiquities. [Fig. 795]
Book III. The Period From the Accession of Henry III. to the End of the Reign of Richard II. A.D. 1216—1399.
Chapter I. Regal and Baronial Antiquities. Fig. 814]
Chapter II. Ecclesiastical Antiquities. [Fig. 929]
Chapter III. Popular Antiquities.
Book IV. The Period From the Accession of Henry IV. to the End of the Reign of Richard III. A.D. 1399—1485.
Chapter I. Regal and Baronial Antiquities. [Fig. 1150]
Chapter II. Ecclesiastical Antiquities. [Fig. 1279]
Chapter III. Popular Antiquities. [Fig. 1335]
Although some of the images here are from Volume II, I plan to move them into their own darling little folder, and will make a second table of contents.
This book is online at archive.org (Vol I and Vol II), although the OCR has done a really bad job, and the scans are lower resolution and not cleaned up. But you could use it to request a specific image, and I will scan it for you if it’s not here yet.
Title: Old England: A Pictorial Museum
City: London
Date: 1845
Total items: 409
Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.
“It is in connection [... with ...] Edward Kelly (Fig. 2156) that the lovers of the miraculous have become most familiar with the name of Doctor Dee [see Fig. 2155]. Kelly entered his service as an assistant in 1581, and then, according to the ordinary accounts, were commenced the “conversations with spirits.” The two magicians, it seems, had a black [...] [more...] [$]
577.—Interior of Lincoln Cathedral.
The Nave, unequalled, it is supposed, in the world for its combined magnitude and beauty of proportion, and the curious Galilee porch, so richly decorated, are among the next additions; the use of the last-named work has thus been explained by Dr. Slilner (‘Treatise on the Ecclesiastical Architecture of the Middle Ages’):—“There were formerly such [...] [more...] [$]
“In the latter part of the summer of the year 55 B. C. (Halley, the astronomer, has gone far to prove that the exact day was the 26th of August), a Roman fleet crossed the Channel, bearing the infantry of two legions, about ten thousand men. This army was collected at the Portus Itius (Witsand), between Calais and Boulogne. Eighty galleys (Fig. 86) [...] [more...] [$]
229.—Residence of a Saxon Nobleman.
There’s a lot going on in this Anglo-Saxon nobleman’s house. The nobleman seems to have an open book upside-down on his lap and is handing something, possibly bread, to one of the beggars at his door, beggars who are cripppled, lame, barefoot, and in some cases wearing only underpants. I think one of them on the right might actually be a monkey. In the foreground a barefoot person, perhaps a monk, is seated at a large urn, and someone else, kneeling, appears to be receiving something in a sack; behind him, someone else is pushing s small dog towards the cooking-pot.
There are also warriors with shields and spears, and the lady of the house on the right isnattring away with her gran while more beggars clamour for food. On [more...] [$]
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