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Old England: A Pictorial Museum (page 1/53)

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[picture: Old England: Photograph of the book]

Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal and Popular Antiquities, Charles Knight (1791 – 1873) London, Charles Knight and Co., Ludgate Street, First Edition, 1845, two volumes, folio, pp. viii, 392; vi, 386, 24 chromoxylographs (incl. frontis.). Many wood-engraved text illustrations.

My copy has contemporary (worn) half-calf with gilt backs; there is some light foxing and dampstaining to the plates and margins of some leaves. Ref. Abbey, Life, 43; purchased D. & E Lake Toronto, 1992.

This book has been reprinted, but the reprint is out of print; you can search for a used copy on Amazon.

I have typed in the index to the book so that you can ask me for other scans if you like.

I have the first few sections online as Old England: A Pictorial Museum if you want to read the actual book!

The book starts with Druidical and Prehistoric remains and continues on to have Castles, Manors and stately homes, Churches, Abbeys and Cathedrals and much more.

Charles Knight also produced an illustrated edition of the Works of Shakspere, as he spelt it.

There is an entry in the Nuttall Encyclopædia for Charles Knight.

Some of the engravings were done by the Dalziel brothers; I have some images from their autobiography, A Record of Work.

Contents

Volume I

Book I. Before the Conquest.

Chapter I. The British Period. [Fig. 1]

Chapter II. The Roman Period. [Fig. 80]

Chapter III. The Anglo-Saxon Period. [Fig. 189]

Book II. The Period From the Norman Conquest to the Death of King John. A.D. 1066—1216.

Chapter I. Regal and Baronial Antiquities. [Fig. 334]

Chapter II. Ecclesiastical Antiquities. [Fig. 491]

Chapter III. Popular Antiquities. [Fig. 795]

Book III. The Period From the Accession of Henry III. to the End of the Reign of Richard II. A.D. 1216—1399.

Chapter I. Regal and Baronial Antiquities. Fig. 814]

Chapter II. Ecclesiastical Antiquities. [Fig. 929]

Chapter III. Popular Antiquities.

Book IV. The Period From the Accession of Henry IV. to the End of the Reign of Richard III. A.D. 1399—1485.

Chapter I. Regal and Baronial Antiquities. [Fig. 1150]

Chapter II. Ecclesiastical Antiquities. [Fig. 1279]

Chapter III. Popular Antiquities. [Fig. 1335]

Although some of the images here are from Volume II, I plan to move them into their own darling little folder, and will make a second table of contents.

This book is online at archive.org (Vol I and Vol II), although the OCR has done a really bad job, and the scans are lower resolution and not cleaned up. But you could use it to request a specific image, and I will scan it for you if it’s not here yet.

Title: Old England: A Pictorial Museum

Author: Knight, Charles

City: London

Date: 1845

Total items: 411

Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.

Some sample images

[picture: 21.---Four Tumuli at Barlow Hills, Essex]

21.—Four Tumuli at Barlow Hills, Essex

(17) Four tumuli at Barlow Hills, Essex; (18) Gallery of the largest. [more...] [$]

[picture: Walsingham Abbey, Norfolk]

703.—Walsingham Abbey, Norfolk.

The village of Walsingham is alive and well; the Abbey itself was largely destroyed in 1538 during the English Reformation and became a private house. [more...] [$]

[picture: 1027.---Ruins of Netley Abbey]

1027.—Ruins of Netley Abbey

There is another more recent picture of Netley Abbey; see the Netley Location link. [more...] [$]

[picture: 107.---Walls and Gate, Pevensey.]

107.—Walls and Gate, Pevensey.

Here, as at Richborough, have the Roman galleys anchored; sheltered by the bold promontory of Beachy Head from the south-west gales, and secured from the attacks of pirates by the garrison who guarded those walls. We ascend the cliff from the village, and enter the area within the walls at the opening on the east (Plan 106). The external appearance [...] [more...] [$]

[picture: 1805.---Arthur's Show.]

1805.—Arthur’s Show.

The engraving shows the interior of a large tent or pavillion, with a banner reading Socitie of Prince Arthur hanging from the ceiling, festooned with a garland. There is a round table and, in the front, a corpulent monk with tonsured head and a large wine-flask in his hand; a man dressed as a satyr perhaps, with a laurel wreath of victory on his head, gestures towards the entrance of the canopy, and outside we see archers and spear-men lined up, flags flying, [...] [more...] [$]


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