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Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal and Popular Antiquities, Charles Knight (1791 – 1873) London, Charles Knight and Co., Ludgate Street, First Edition, 1845, two volumes, folio, pp. viii, 392; vi, 386, 24 chromoxylographs (incl. frontis.). Many wood-engraved text illustrations.
My copy has contemporary (worn) half-calf with gilt backs; there is some light foxing and dampstaining to the plates and margins of some leaves. Ref. Abbey, Life, 43; purchased D. & E Lake Toronto, 1992.
This book has been reprinted, but the reprint is out of print; you can search for a used copy on Amazon.
I have typed in the index to the book so that you can ask me for other scans if you like.
I have the first few sections online as Old England: A Pictorial Museum if you want to read the actual book!
The book starts with Druidical and Prehistoric remains and continues on to have Castles, Manors and stately homes, Churches, Abbeys and Cathedrals and much more.
Charles Knight also produced an illustrated edition of the Works of Shakspere, as he spelt it.
There is an entry in the Nuttall Encyclopædia for Charles Knight.
Some of the engravings were done by the Dalziel brothers; I have some images from their autobiography, A Record of Work.
Contents
Volume I
Book I. Before the Conquest.
Chapter I. The British Period. [Fig. 1]
Chapter II. The Roman Period. [Fig. 80]
Chapter III. The Anglo-Saxon Period. [Fig. 189]
Book II. The Period From the Norman Conquest to the Death of King John. A.D. 1066—1216.
Chapter I. Regal and Baronial Antiquities. [Fig. 334]
Chapter II. Ecclesiastical Antiquities. [Fig. 491]
Chapter III. Popular Antiquities. [Fig. 795]
Book III. The Period From the Accession of Henry III. to the End of the Reign of Richard II. A.D. 1216—1399.
Chapter I. Regal and Baronial Antiquities. Fig. 814]
Chapter II. Ecclesiastical Antiquities. [Fig. 929]
Chapter III. Popular Antiquities.
Book IV. The Period From the Accession of Henry IV. to the End of the Reign of Richard III. A.D. 1399—1485.
Chapter I. Regal and Baronial Antiquities. [Fig. 1150]
Chapter II. Ecclesiastical Antiquities. [Fig. 1279]
Chapter III. Popular Antiquities. [Fig. 1335]
Although some of the images here are from Volume II, I plan to move them into their own darling little folder, and will make a second table of contents.
This book is online at archive.org (Vol I and Vol II), although the OCR has done a really bad job, and the scans are lower resolution and not cleaned up. But you could use it to request a specific image, and I will scan it for you if it’s not here yet.
Title: Old England: A Pictorial Museum
City: London
Date: 1845
Total items: 407
Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.
“The primitive inhabitants of all sea-girt countries are fishermen. It is impossible not to believe that the people of Britain, having at their command the treasures of wide æstuaries and deep rivers, were fishermen to a large extent. The Britons must always have [...]
59.—British Pearl Shells. Natural Size.
a. Duck fresh-water Pearl Mussel (Anodon Anatinus). b. Swan ditto (Anodon Cygneus).
“The pearl-fishery of Britain must have existed before the Roman invasion, for Suetonius says that the hope of acquiring pearls was a main inducement to Cæsar to attempt the conquest of the country. The great conqueror himself, according to Pliny, the naturalist, dedicated to Venus a breastplate studded with British pearls, and suspended it in her temple at Rome. In a later age the pearls of Caledonia were poetically termed by Ausonius the white shell-berries. Camden thus describes the pearls of the little river
‘Gignit et insignes antiqua Britannia baccas.’
(‘And Britain’s ancient shores great pearls produce.’)’
The British pearls were not found in the shells of the oyster, as is often thought, but in those of a peculiar [more...] [$]
“The dresses of the inhabitants of Britain before the Roman invasion are not, like those of the people of ancient Egypt, and other countries advanced in the practice of the imitative arts, to be traced in painting or sculpture. In Roman statues we have the figures of ancient Gauls, which give us the characteristic dress of the Celtic nations: the braccæ, or close trowsers, the tunic, and the sagum, or short cloak (Figs. 61, 62, 63). The dye of the woad was [more...] [$]
“The dresses of the inhabitants of Britain before the Roman invasion are not, like those of the people of ancient Egypt, and other countries advanced in the practice of the imitative arts, to be traced in painting or sculpture. In Roman statues we have the figures of ancient Gauls, which give us the characteristic dress of the Celtic nations: the braccæ, or close trowsers, [more...] [$]
“The dresses of the inhabitants of Britain before the Roman invasion are not, like those of the people of ancient Egypt, and other countries advanced in the practice of the imitative arts, to be traced in painting or sculpture. In Roman statues we have the figures of ancient Gauls, which give us the characteristic dress of the Celtic nations: the braccæ, or close trowsers, [more...] [$]
“The dresses of the inhabitants of Britain before the Roman invasion are not, like those of the people of ancient Egypt, and other countries advanced in the practice of the imitative arts, to be traced in painting or sculpture. In Roman statues we have the figures of ancient Gauls, which give us the characteristic dress of the Celtic nations: the braccæ, or close trowsers, [more...] [$]
“It is difficult to assign an exact period to their use of cloth in preference to skins. It is equally difficult to determine the date of those valuable relics which have been found in various places, exhibiting a taste for symmetry and nice workmanship in the fabrication of their weapons, offensive and defensive, and the ruder decorations of their [...]Flintshire, now in the British Museum (Fig. 64).” (p. 22) [more...] [$]
65.—Shield in the British Museum.
“It is equally difficult to determine the date of those valuable relics which have been found in various places, exhibiting a taste for symmetry and nice workmanship in the fabrication of their weapons, offensive and defensive, and the ruder decorations of their persons. Such are the [...]Flintshire, now in the British Museum (Fig. 64). Such are the shields (Figs. 65, 66, 67), of one of which (Fig. 67) Sir Samuel Meyrick, its possessor, says, “It is impossible to contemplate the artistic portions without feeling convinced that there is a mixture of British ornaments with such resemblances to the elegant designs on Roman works as would be produced by a people in a state of less civilization.” (p. 22) [more...] [$]
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