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Old England: A Pictorial Museum (page 52/52)

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[picture: Old England: Photograph of the book]

Old England: A Pictorial Museum of Regal, Ecclesiastical, Baronial, Municipal and Popular Antiquities, Charles Knight (1791 – 1873) London, Charles Knight and Co., Ludgate Street, First Edition, 1845, two volumes, folio, pp. viii, 392; vi, 386, 24 chromoxylographs (incl. frontis.). Many wood-engraved text illustrations.

My copy has contemporary (worn) half-calf with gilt backs; there is some light foxing and dampstaining to the plates and margins of some leaves. Ref. Abbey, Life, 43; purchased D. & E Lake Toronto, 1992.

This book has been reprinted, but the reprint is out of print; you can search for a used copy on Amazon.

I have typed in the index to the book so that you can ask me for other scans if you like.

I have the first few sections online as Old England: A Pictorial Museum if you want to read the actual book!

The book starts with Druidical and Prehistoric remains and continues on to have Castles, Manors and stately homes, Churches, Abbeys and Cathedrals and much more.

Charles Knight also produced an illustrated edition of the Works of Shakspere, as he spelt it.

There is an entry in the Nuttall Encyclopædia for Charles Knight.

Some of the engravings were done by the Dalziel brothers; I have some images from their autobiography, A Record of Work.

Contents

Volume I

Book I. Before the Conquest.

Chapter I. The British Period. [Fig. 1]

Chapter II. The Roman Period. [Fig. 80]

Chapter III. The Anglo-Saxon Period. [Fig. 189]

Book II. The Period From the Norman Conquest to the Death of King John. A.D. 1066—1216.

Chapter I. Regal and Baronial Antiquities. [Fig. 334]

Chapter II. Ecclesiastical Antiquities. [Fig. 491]

Chapter III. Popular Antiquities. [Fig. 795]

Book III. The Period From the Accession of Henry III. to the End of the Reign of Richard II. A.D. 1216—1399.

Chapter I. Regal and Baronial Antiquities. Fig. 814]

Chapter II. Ecclesiastical Antiquities. [Fig. 929]

Chapter III. Popular Antiquities.

Book IV. The Period From the Accession of Henry IV. to the End of the Reign of Richard III. A.D. 1399—1485.

Chapter I. Regal and Baronial Antiquities. [Fig. 1150]

Chapter II. Ecclesiastical Antiquities. [Fig. 1279]

Chapter III. Popular Antiquities. [Fig. 1335]

Although some of the images here are from Volume II, I plan to move them into their own darling little folder, and will make a second table of contents.

This book is online at archive.org (Vol I and Vol II), although the OCR has done a really bad job, and the scans are lower resolution and not cleaned up. But you could use it to request a specific image, and I will scan it for you if it’s not here yet.

Title: Old England: A Pictorial Museum

Author: Knight, Charles

City: London

Date: 1845

Total items: 407

Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.

[picture: 2280.---The Pepysian Library, Magdalene College, Cambridge]

2280.—The Pepysian Library, Magdalene College, Cambridge

The Pepys library holds over 3,000 volumes; the building probably dates from 1700 or so. [more...] [$]

[picture: Hall of Christ Church College  Oxford]

Hall of Christ Church College Oxford

“Christchurch, you have no doubt heard, is the richest, most magnificent, and most celebrated of all the collegiate establishments of Oxford. It is the especial resort of the sons of the richest gentry and [...]Sir Robert Peel was educated here. It has been honoured by hosts of men who have belonged to a different aristocracy,—men who are seldom acknowledged to be illustrious during their lives, but whom none deny to be so for every afterwards. Sydney, Ben Jonson, Otway, Locke, Penn, and Canning, were all members of Christ’s. [Note: I have linked these to the Nuttall Encyclopædia, I hope correctly! Liam] The founder was Wolsey; and every thing one sees here harmonises with the associations suggested by his name, although his scheme was [only] in part accomplished.” (p. 291) [more...] [$]

[picture: Floriated initial capital letter ``T'']

Floriated initial capital letter “T”

This decorated drop cap “T” has vine leaves and flowers around the letter. [$]

[picture: 2333.---Guy's Cliff]

2333.—Guy’s Cliff

I visited this in 1984 or so, when it appeeared to be a ruin with broken windows but still surrounded by water and rather hard to reach. [more...] [$]

[picture: 2403.---Game of Shinty.]

2403.—Game of Shinty.

In shinty (Fig. 2403), which is so favourite a sport in the Highlands of Scotland, the ball is struck by a stick, and the object with each party is to drive it beyond certain opposed boundaries. This game is essentially the same as that formerly known as hurling in England. Golf was also once popular in this country. Nay, the very best golf-player [...] [more...] [$]

[picture: 2404.---Belsize House.]

2404.—Belsize House.

Belsize House was demolished about the time of this book, or perhaps a few year afterwards. There is still a mulberry tree growing from the gardens (2011). [more...] [$]

[picture: 2440.---The Cockpit.]

2440.—The Cockpit.

“We may be grateful that the Cockpit (Fig. 2440) does deal with an amusement that no longer exists—there is hardly even a type left of the class to which it belonged, its gambling adjunct of course excepted. Cock-throwing, bear and badger [...]battue may be considered as little better: it must be owned there is a great resemblance between that sport and the more ferocious and bloody ones of the last century. And a stranger scene to any but familiar eyes than a cockpit of Hogarth’s time represented it would be difficult to find. There were congregated in it persons from the highest down to the lowest classes of society—peer and sweep were there. “Hail fellow, well met” together. Theignoble lord who is seen in Hogarth’s picture represents Lord Albemarle Bertie, who was totally blind, and yet placed his chief enjoyment in such a scene as this. He is the centre of attraction to most of the reprobates and gamblers who are here collected together; five of them at once are endeavouring to bet with him as to the issue of the combat. Mark, too, the rascal who looks up so furtively at him while abstracting a bank-note from the nobleman’s store: the expression of that thief’s face is truly inimitable. [more...] [$]

[picture: 828.---Great Seal of Edward I.]

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