Leonardo’s eminent place in the history of medicine, as a pioneer in the sciences of Anatomy and Physiology, will never be appreciated till it is possible to publish the mass of manuscripts in which he largely treated of these two branches of learning. In the present work I must necessarily limit myself to giving the reader a general view of these labours, by publishing his introductory notes to the various books on anatomical subjects. I have added some extracts, and such observations as are scattered incidentally through these treatises, as serving to throw a light on Leonardo’s scientific attitude, besides having an interest for a wider circle than that of specialists only.
VASARI expressly mentions Leonardo’s anatomical studies, having had occasion to examine the manuscript books which refer to them. According to him Leonardo studied Anatomy in the companionship of Marc Antonio della Torre “aiutato e scambievolmente aiutando.”—This learned Anatomist taught the science in the universities first of Padua and then of Pavia, and at Pavia he and Leonardo may have worked and studied together. We have no clue to any exact dates, but in the year 1506 Marc Antonio della Torre seems to have not yet left Padua. He was scarcely thirty years old when he died in 1512, and his writings on anatomy have not only never been published, but no manuscript copy of them is known to exist.
This is not the place to enlarge on the connection between Leonardo and Marc Antonio della Torre. I may however observe that I have not been able to discover in Leonardo’s manuscripts on anatomy any mention of his younger contemporary. The few quotations which occur from writers on medicine—either of antiquity or of the middle ages are printed in Section XXII. Here and there in the manuscripts mention is made of an anonymous “adversary” (avversario) whose views are opposed and refuted by Leonardo, but there is no ground for supposing that Marc Antonio della Torre should have been this “adversary”.
Only a very small selection from the mass of anatomical drawings left by Leonardo have been published here in facsimile, but to form any adequate idea of their scientific merit they should be compared with the coarse and inadequate figures given in the published books of the early part of the XVI. century.
William Hunter, the great surgeon—a competent judge—who had an opportunity in the time of George III. of seeing the originals in the King’s Library, has thus recorded his opinion: “I expected to see little more than such designs in Anatomy as might be useful to a painter in his own profession. But I saw, and indeed with astonishment, that Leonardo had been a general and deep student. When I consider what pains he has taken upon every part of the body, the superiority of his universal genius, his particular excellence in mechanics and hydraulics, and the attention with which such a man would examine and see objects which he has to draw, I am fully persuaded that Leonardo was the best Anatomist, at that time, in the world ... Leonardo was certainly the first man, we know of, who introduced the practice of making anatomical drawings” (Two introductory letters. London 1784, pages 37 and 39).
The illustrious German Naturalist Johan Friedrich Blumenback esteemed them no less highly; he was one of the privileged few who, after Hunter, had the chance of seeing these Manuscripts. He writes: “Der Scharfblick dieses grossen Forschers und Darstellers der Natur hat schon auf Dinge geachtet, die noch Jahrhunderte nachher unbemerkt geblieben sind” (see Blumenbach’s medicinische Bibliothek, Vol. 3, St. 4, 1795. page 728).
These opinions were founded on the drawings alone. Up to the present day hardly anything has been made known of the text, and, for the reasons I have given, it is my intention to reproduce here no more than a selection of extracts which I have made from the originals at Windsor Castle and elsewhere. In the Bibliography of the Manuscripts, at the end of this volume a short review is given of the valuable contents of these Anatomical note books which are at present almost all in the possession of her Majesty the Queen of England. It is, I believe, possible to assign the date with approximate accuracy to almost all the fragments, and I am thus led to conclude that the greater part of Leonardo’s anatomical investigations were carried out after the death of della Torre.
Merely in reading the introductory notes to his various books on Anatomy which are here printed it is impossible to resist the impression that the Master’s anatomical studies bear to a very great extent the stamp of originality and independent thought.
I.
ANATOMY.
Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.