This site is in danger of going away; please consider the Donate link above...


La Vita Nuova (The New Life) (page 2/5)

details...
[picture: Front Cover from La Vita Nuova]

Pictures and page images from La Vita Nuova (The New Life) by Dante Alighieri, translated by Gabriel Rossetti and illustrated by Evelyn Paul, with music by Alfred Mercer.

The book is undated, but it appears to have been produced some time between 1897 and 1920. Most booksellers say about 1910, so that is what I have used.

Gabriel Rossetti was a Pre-Raphaelite painter and a Romantic writer and poet.

The full text of this translation is online at The Rosetti Archive, although it isn’t exactly the same edition.

I have scanned some complete pages, some details, and also some borders.

There is an entry in the Nuttall Encyclopædia for Charles Dante Gabriel Rossetti and another for Dante Alighieri.

Evelyn Paul died in 1945, less than 70 years ago, but this book was published jointly in the UK and the US, before 1923, and hence is out of copyright, so I have marked the images as public domain.

Title: La Vita Nuova (The New Life)

Author: Alighieri, Dante

City: London, New York

Date: 1910

Total items: 33

Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.

[picture: Front Cover from La Vita Nuova]

Front Cover from La Vita Nuova

There is also a rather plain dust jacket, not shown here. [$]

[picture: 37.---Writing My Master's Words]

37.—Writing My Master’s Words

The poet sits at a writing desk let by a candle. The image is printed in black and gold. [more...] [$]

[picture: 37.---Writing My Master's Words (detail)]

37.—Writing My Master’s Words (detail)

The central part of the picture on page 37 showing the mediaeval scholar writing a manuscript at his desk with his quill pen (a feather trimmed, slitted and used for writing) in his hand. [more...] [$]

[picture: Untitled image, Mediaeval tower]

Untitled image, Mediaeval tower

Untitled image; a man (the protagonist) sits outside a mediæval castle tower. He wears red boots and a long robe, a medieval scholar’s [more...] [$]

[picture: Osanna in Excelsis]

Osanna in Excelsis

The phrase, Osanna in Excelsis (moer commonly written in English, Hosanna in Excelsis) in the form of a giant “E” with a decorative initial letter “O” containing angels, and a smaller E-within-the-e in a Mediaeval Uncial style. Printed in dark [...] [more...] [$]

[picture: 103. Sonnet Introduction Page]

103. Sonnet Introduction Page

Full page image. In the decoration, the angel, presumably representing love, is beckoning towards the writer. The text reads as follows: [more...] [$]

[picture: Sonnet Introduction Border]

Sonnet Introduction Border

The border and decoration from page 103. An angel, wearing a toga, but with bare feet and bare-legged, beckons to the writer, depicted as a monk with a robe and medieval pointed shoes. I included fairly high resolution copies in case people [...] [more...] [$]

[picture: 115. Love Hath So Long Possessed Me]

115. Love Hath So Long Possessed Me

Full page image showing the sonnet and also the decoration. I have scanned the angel separately, as the next image. [more...] [$]

[picture: Angel from page 115]

Angel from page 115

The angel from page 115. The angel carries a music book (I think, or possibly a harp), and kneels with hands clasped as if in prayer. He wears a white robe and has golden wings. [more...] [$]


Note: If you got here from a search engine and don’t see what you were looking for, it might have moved onto a different page within this gallery.