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A Textbook on Ornamental Design (page 2/3)

details...
[picture: Front Cover]

Some diagrams and illustrations taken from A Textbook on Ornamental Design published by International Correspondence Schools, Scranton, PA., USA, 1901.

There are two volumes; there was originally also a portfolio of images, which is not present in my copies of the books.

Title: A Textbook on Ornamental Design

Author: unknown

Published by: International Correspondence Schools

City: Scranton, PA.

Date: 1901

Total items: 13

Out of copyright (called public domain in the USA), hence royalty-free for all purposes usage credit requested, or as marked.

[picture: Front Cover]

Front Cover

The front cover of “Ornamental Design” is not itself very ornamented. [$]

[picture: Title Page]

Title Page

a textbook on
ORNAMENTAL DESIGN
International Correspondence Schools
scranton, PA.
[more...] [$]

[picture: 11.---Drawing a circle with the compasses.]

11.—Drawing a circle with the compasses.

Showing how to draw a circle with a pair of compasses. [more...] [$]

[picture: 12.---Dividers.]

12.—Dividers.

Dividers are like compasses but with two sharp points, and can be used for measuring distances. [$]

[picture: 13.---Bow Pencil and Bow Pen]

13.—Bow Pencil and Bow Pen

For drawing circles with. [$]

[picture: 14.---How to sharpen a pencil]
[picture: 15.---Holding a Ruling Pen.]

15.—Holding a Ruling Pen.

“13. Inking.—For drawing ink lines other than arcs of circles, the ruling pen (or right-line pen, as it is sometimes called) is used. Its should be held as nearly perpendicular to the board as possible, with the hand in the position shown in Figs. 15 and 16, bearing lightly against the T square or triangle, along the edge of which the line is drawn. After a little more practice, this position will become more natural, and no difficulty will be experienced.” (pp. 11 – 12) [more...] [$]

[picture: 16.---Holding a Ruling Pen]

16.—Holding a Ruling Pen

“13. Inking.—For drawing ink lines other than arcs of circles, the ruling pen (or right-line pen, as it is sometimes called) is used. Its should be held as nearly perpendicular to the board as possible, with the hand in the position shown in Figs. 15 and 16, bearing lightly against the T square or triangle, along the edge of which the line is drawn. After a little more practice, this position will become more natural, and no difficulty will be experienced.” (pp. 11 – 12) [more...] [$]

[picture: 87.---Designs for Window Heads]

87.—Designs for Window Heads

This diagram of a gothic window is divided into two halves: the left, in white on black, shows the overall effect; the right, in black on white, shows also the construction lines so you can learn how to draw gothic [...] [more...] [$]

[picture: Coucy Castle, Bird’s Eye Drawing]

Coucy Castle, Bird’s Eye Drawing

A striking aerial view of a castle, complete with people in the courtyard and someone kneeling just outside the gate, perhaps weeding the vegetables grown there. [more...] [$]

[picture: Figure 3.54.---Ionic Frieze]

Figure 3.54.—Ionic Frieze

88. Ionic Order.—In Fig. 54 is shown a frieze from the principal Ionic temple in Athens, the Erechtheum, the style of which is typical of this class of relief ornament throughout Greek design. it is plainly a development, in relief, of the brush forms shown in Fig. 47; and the addition of scrolls at the bottom, and leaves, from which the forms appear to spring, is due to a conventionalization of the acanthus leaf, which first makes its appearance in art through its introduction into Greek architecture.

I’d take that extract with a pinch of salt: the writer has absolutely no way of knowing that there was [more...] [$]


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