667

Notes on the Last Supper.

CHRIST.

Count Giovanni, the one with the Cardinal of Mortaro.

[Footnote: As this note is in the same small Manuscript as the passage here immediately preceding it, I may be justified in assuming that Leonardo meant to use the features of the person here named as a suitable model for the figure of Christ. The celebrated drawing of the head of Christ, now hanging in the Brera Gallery at Milan, has obviously been so much restored that it is now impossible to say, whether it was ever genuine. We have only to compare it with the undoubtedly genuine drawings of heads of the disciples in PI. XLVII, XLVIII and L, to admit that not a single line of the Milan drawing in its present state can be by the same hand.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

Notebooks of Leonoardo da Vinci
X: Studies and Sketches for Pictures and Decorations.
On Madonna pictures.
663
Bernardo di Bandino’s Portrait.
664
Notes on the Last Supper.
665,
666,
667,
668
On the battle of Anghiari.
669
Allegorical representations referring to the duke of Milan.
670,
671,
672,
673
Allegorical representations.
674,
675,
676,
677,
678
Arrangement of a picture.
679
List of drawings.
680
Mottoes and Emblems.
681,
682,
683,
684,
685,
686,
687
. . .