392

On draperies.

You ought not to give to drapery a great confusion of many folds, but rather only introduce them where they are held by the hands or the arms; the rest you may let fall simply where it is its nature to flow; and do not let the nude forms be broken by too many details and interrupted folds. How draperies should be drawn from nature: that is to say if youwant to represent woollen cloth draw the folds from that; and if it is to be silk, or fine cloth or coarse, or of linen or of crape, vary the folds in each and do not represent dresses, as many do, from models covered with paper or thin leather which will deceive you greatly.

[Footnote: The little pen and ink drawing from Windsor (W. 102), given on Pl. XXVIII, No. 7, clearly illustrates the statement made at the beginning of this passage; the writing of the cipher 19 on the same page is in Leonardo’s hand; the cipher 21 is certainly not.]

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

Notebooks of Leonoardo da Vinci
VII: On the Proportions and on the Movements of the Human Figure.
. . .
372,
373,
374
Of walking up and down.
375,
376,
377,
378,
379
On the human body in action.
380,
381,
382,
383,
384,
385,
386,
387,
388
On hair falling down in curls.
389
On draperies.
390,
391,
392