11

General introductions to the book on Painting.

Though I may not, like them, be able to quote other authors, I shall rely on that which is much greater and more worthy:—on experience, the mistress of their Masters. They go about puffed up and pompous, dressed and decorated with [the fruits], not of their own labours, but of those of others. And they will not allow me my own. They will scorn me as an inventor; but how much more might they—who are not inventors but vaunters and declaimers of the works of others—be blamed.

INTRODUCTION.

And those men who are inventors and interpreters between Nature and Man, as compared with boasters and declaimers of the works of others, must be regarded and not otherwise esteemed than as the object in front of a mirror, when compared with its image seen in the mirror. For the first is something in itself, and the other nothingness.—Folks little indebted to Nature, since it is only by chance that they wear the human form and without it I might class them with the herds of beasts.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

10 * 12
Notebooks of Leonoardo da Vinci
I: Prolegomena and General Introduction to the Book on Painting.
. . .
The author’s intention to publish his MSS.
1
The preparation of the MSS. for publication.
2
Admonition to readers.
3
The disorder in the MSS.
4
subjects..
5,
6,
7,
8
General introductions to the book on Painting.
9,
10,
11,
12,
13
The plan of the book on Painting.
14,
15,
16,
17
The use of the book on Painting.
18
Necessity of theoretical knowledge.
19,
20
The function of the eye.
21,
22,
23,
24
Variability of the eye.
25
Differences of perception by one eye and by both eyes.
26,
27,
28,
29
The comparative size of the image depends on the amount of light.
30,
31
. . .