14

The plan of the book on Painting.

ON THE THREE BRANCHES OF PERSPECTIVE.

There are three branches of perspective; the first deals with the reasons of the (apparent) diminution of objects as they recede from the eye, and is known as Diminishing Perspective.—The second contains the way in which colours vary as they recede from the eye. The third and last is concerned with the explanation of how the objects [in a picture] ought to be less finished in proportion as they are remote (and the names are as follows):

Linear Perspective. The Perspective of Colour. The Perspective of Disappearance.

[Footnote: 13. From the character of the handwriting I infer that this passage was written before the year 1490.].

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

13 * 15
Notebooks of Leonoardo da Vinci
I: Prolegomena and General Introduction to the Book on Painting.
. . .
The author’s intention to publish his MSS.
1
The preparation of the MSS. for publication.
2
Admonition to readers.
3
The disorder in the MSS.
4
subjects..
5,
6,
7,
8
General introductions to the book on Painting.
9,
10,
11,
12,
13
The plan of the book on Painting.
14,
15,
16,
17
The use of the book on Painting.
18
Necessity of theoretical knowledge.
19,
20
The function of the eye.
21,
22,
23,
24
Variability of the eye.
25
Differences of perception by one eye and by both eyes.
26,
27,
28,
29
The comparative size of the image depends on the amount of light.
30,
31,
32,
33,
34
. . .