562

On the lighting of the background.

OF THE BACKGROUNDS FOR PAINTED FIGURES.

The ground which surrounds the forms of any object you paint should be darker than the high lights of those figures, and lighter than their shadowed part: &c.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

VII * X
Notebooks of Leonoardo da Vinci
VIII: Botany for Painters and Elements of Landscape Painting.
. . .
542,
543,
544,
545,
546,
547
Gradations of light and shade.
548
On the choice of light for a picture.
549,
550,
551,
552,
553,
554,
555
The distribution of light and shade.
556,
557,
558,
559
The juxtaposition of light and shade.
560,
561
On the lighting of the background.
562,
563,
564,
565
On the lighting of white objects.
566
The methods of aerial.
567,
568,
569,
570
Of sketching figures and portraits.
571,
572
The position of the head.
573
Of the light on the face.
574,
575,
576
General suggestions for historical pictures.
577,
578,
579,
580,
581
How to represent the differences of age and sex.
582
. . .