565

On the lighting of the background.

That you ought, when representing objects above the eye and on one side—if you wish them to look detached from the wall—to show, between the shadow on the object and the shadow it casts a middle light, so that the body will appear to stand away from the wall.

Taken from The Notebooks of Leonardo da Vinci edited by Jean Paul Richter, 1880.

Notebooks of Leonoardo da Vinci

VIII: Botany for Painters and Elements of Landscape Painting.

. . .

545,

546,

Gradations of light and shade.

On the choice of light for a picture.

549,

550,

551,

552,

553,

554,

The distribution of light and shade.

556,

557,

558,

The juxtaposition of light and shade.

560,

On the lighting of the background.

562,

563,

564,

On the lighting of white objects.

The methods of aerial.

567,

568,

569,

Of sketching figures and portraits.

571,

The position of the head.

Of the light on the face.

574,

575,

General suggestions for historical pictures.

577,

578,

579,

580,

How to represent the differences of age and sex.

582,

Of representing the emotions.

Of representing imaginary animals.

. . .